The Sacada (= taken out, show, …) arises when one partner crosses the direction of movement of the other between his feet. During the Sacada, the center of gravity of both partners move is contrarotating. The one partner attacks, while the other dodges. This results in very strong body counter movements (= dissociations), which give this figure its special character. The knees are keeping together, because otherwise very quickly the impression of a peeing dog arises! Sensationally danced Sacada combinations interpret the staccato of the music with a slightly aggressive dialogue between the partners. It creates the impression of a […]
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The Enrosque (= screw) is a figure to be danced in the inside circle and thus only stationary. It begins with crossed and parallel feet (cruz) that remain crossed during the rotation. Many coaches also teach the variant with feet crossing or dissolving during the rotation. As always, it is of course a personal matter of taste and in this case not mine. For me, the particular charm of the Enrosque is the rubber band effect (similar to the propeller of a model airplane) that arises when the body counter movement (= dissociation) dissolves during the Enrosque. An open leg […]
The Giro (= rotation) builds up like a compass. One partner is the compass mount, rotating stationary in the inner circle, the other partner rotating dynamically like the compass pointer in the outer circle around it. In principle, both partners in the outer circle may also dance dynamically around the common center. However, for me, the special charm of the Giro gets lost a bid. To understand the difference between dynamic and stationary rotation, let me briefly talk about the technique of the Pivot … The Pivot is basically a stationary turn on the foot. If the weight remains exactly […]
The Courbet (Flac) is a trick from the category for experts. This trick starts for the flyer in the handstand and ends when standing in the hands. If the trick is caught on straight arms, it’s a trick for professionals, as you rarely see it in the circus. In principle, the Courbet is the second part of the flicflac, which is why this trick is more and more often called flac. Strictly speaking, the Courbet is only a section of the flac, namely the active leg pull just before standing. Unlike the flac, the flyer for the Courbet (in the partner […]
The Posechka is a trick from the category for experts. Where the term Posechka comes from is probably a myth. The best tip seems to be, that some Eastern European brought this trick to Germany about 30-40 years ago and called it “Posetschka”. Google only offers a Bulgarian translation, which tells us that Posechka means “sober”. Posetschka is not known by Google and Posedchka means saddle, which also does not make more sense!? In German, I prefer to use the term “reel-up”, which at least meaningful describes the type of movement to the handstand. Nevertheless, there are many acrobats who […]
Pitching to handstand using the wheel turn is a trick from the category for experts. Off the ground, it’s one of the easiest possibilities to a handstand on straight arms, as the base easily controls the shearing forces of the flyer. Furthermore, the energy from the legs of the flyer (with maximum torque while stretching) helps to push the handstand comparatively effortlessly on the straight-arm. As pre-exercises I recommend: the wheel-turn to the handstand for the flyer on the floor with the belly to the wall. The start position is as close to the wall as possible with the left […]
The butler is a trick from the category for experts. With potential for long arms and thus even a trick for professionals … As pre-exercises I recommend: the base pulls up the flyer while doing the handstand on the floor (picture 1) and gets him back on his feet in front of him (pull over) the flyer jumps on the trampoline from the supine position back to standing, the lying base kicks the flyer lying backwards on the feet to the standing in the hands and the standing base pushes the standing flyer several times in a row on straight […]
Pitching is a trick for the good advanced, but can be increased to any difficulty as desired. As preparation I recommend: the flyer jumps up from the side (lying base) with a quarter turn to the one-legged standing onto the one-armed at straight arm, the flyer jumps up from the front (kneeling base) with a half turn to the one-legged standing onto the one-armed at the short arm and the flyer jumps up from the front (standing base) with a half turn to the standing on the hands with straight arms. This trick starts in the deep squat for the […]
The pitch to counter handstand is also for experts always a challenge… Starting position: The partners stand in front of each other and hold hands. The hands of the flyer are turned outwards, those of the base grip them from below, suitable for the planned final position, the counter-handstand. After the initial tempo, in which the base follows the flyer, the flyer jumps off active and slightly leaned forwards (picture 1). As soon as the contact point is under his center of gravity (picture 2), the flyer starts leaning even more forward (picture 3 = taking off pantyhose). High relieving: […]
The Einarmer has the highest difficulty in the balance, as a shift in all directions is possible. The entry into the Einarmer is usually on the handstand. The critical moment is when the flyer releases its 2nd hand. Here, the smallest impulse leads to unwanted shear forces. 1st start position: – Flyers in handstand, – shoulders completely pushed out (if possible until contact with the ears) 2. The flyer starts from this position and can be e.g. tilt to the right. Important: a) Both arms are always pushing slightly outwards, never inwards !!! b) There remains a little weight on […]
One of the most difficult positions of the base, because he can balance little with his straight-arm. The hand should always keep above the shoulder within this position. The ball of the thumb stays under pressure → does not yield and also does not create a cavity in the palm of your hand! If the free hand is used for stabilization, it supports the ball of the thumb of the balancing hand. Initially, the free hand will stabilize the Einarmer, and then release carefully. Some flyers immediately feel the loss of stability and break off. The free shoulder stays on […]
This balance is relatively easy as long as the flyer is stabilized (e.g., sideways flyer or shoulderstand) or by the other hand of the base (e.g., cross-breaker at the leg or knot handstand at the upper arm). However, the balance without some form of stabilization becomes difficult. The entrance usually takes place via one of the stabilized positions … which are already manageable by advanced bases. Without picking up the residual weight from the stabilizing arm, this balance starts extremely shaky. If you have not automated the pick-up, you should practice it again with simpler positions (for example, with lying […]