Particular attention is paid to the dimensional stability of the flyer. Small changes by shortening the abdominal, lateral or back muscles significantly change the center of gravity and the flyer starts to tilt. In order to get from standing to the respective lying position, the flyer will lean in that direction and then be picked up. Although leaning in the opposite direction is instinctively made, unfortunately only increases the effort of the base. Often, tilting by the base is thereby also prevented, e.g. from the belly flier to the shoulder stand. Once the flyer has arrived in the desired position, […]
Kategorie: Akrobatics – Balance
73 posts
The force line to the base runs through the hip and the center of gravity of the flyer. Otherwise arise very fast tilting and turning movements that are only with much experience to brake. This position should only be strived for if the flyer does no longer correct in the standing on 2 legs. For example, if standing on the straight-arm works fine. Initially, the base should use the 2nd hand for stabilization! He may achieve this, e.g. after he is bringing the feet of the flyer together and then grip with his free hand to the 1 leg. In […]
In this position base and flyer can see each other… they are facing each other. Here the flyer has the same position as in “normal” standing, the position of his feet is not changed. The center of gravity of the flyer is also right above his feet arches. Important is the correct structure of the arch (see pictures), so that the base gets a big surfaced connection. Typical mistakes are twisted in, tilted or pointed feet. These generate a punctual pressure, which makes the balancing difficult and may also be very painful. The correct foot position is created when the flyer […]
Has anyone ever seen a toddler fall over on his head? Not me! They are leaning slightly forward, so they always land on all fours or on the butt. This position, where toddlers are easily managing that they do not land on the head in case of doubt, should be a role model for every flyer. If this picture does not help, you can alternatively lay yourself with your back on the floor. Then take the knees to the chest and form a small package by using your head and arms and then open slowly for straighten out. Only the […]
A flag is a form of Libra in which the flyer will be at 2 contact points balanced (with pulling and pressure point). These contact points form a triangle to each other, in which the upper body of the flyer hangs sideways. Giving the impression of a living flag. The flyer absolutely extends both knees and keeps the upper foot (= pulling point) strongly tightened. Again, the base creates the balance and the flyer has to trust him. The base takes care in the balance that the flag does not unintentionally shifts away sideways. He is managing it with the upper […]
At the beginning every flyer has to learn to stop his instinctive corrections while standing and to hand over the balance to the base. For this he must keep his part of the line of force, which means that Metatarsal, hips and shoulders must always stay in one line (like a stick). It is particularly dangerous if the flyer balances with the upper body to the rear! Most of the time, even the flyers feet getting steep, so that the base can not balance him anymore. The trick becomes (possibly unintentionally) dynamic … Imagine that you are in the sea […]
The chair is a simple form of Libra. The flyer stands frontal to the base on his thighs and will be balanced at 1 or 2 hands by pulling. Contact point are either the hands or knees of the flyer. To balance, the base uses only his own knees; the arms stay stretched. By pushing his knees far under the flyer, he can achieve an even free balance (→ facing). The flyer remains in the line of force without shearing the knees of the base. This position is very well suited as a first balance exercise for beginners. Additional stability […]
The base can balance the flyer only with stable (fixed) shoulders. To balance the flyer, the base creates at the shoulder of the flyer the necessary shear forces, without these should get changed. For the flyer this means: Position 1: either pulling the shoulders in the direction of the hip … Position 2: or pulling towards his ears … Common to both variants is that the center of gravity of the flyer remains exactly above the shoulder. Mostly, the flyer supports himself with its hands on the forearms of the base to stabilize himself. However, this must not cause him […]
Since the base can not grip with the feet, balancing the flyer by using the shear forces is not possible. The base must always remain under the center of gravity of the flyer. In the position “headfirst” the base also has no line of sight to the flyer. This actually destroys almost all possibilities of balancing through the base. Either the flyer is so experienced that it remains in the line of force without causing any shear forces, or another base takes over the balancing… Standing on the head or shoulder, the line of power is distributed on 3 contact […]
The bank position (hip width knee position) forms a secure pedestal, because the distance to the ground is low (body center of gravity is deep) and a large support surface is available. The back is straight, arms and thighs are pointing almost vertically downwards. However, the shoulder should never come in front of the palm. The flyer should only load the base within the hip and/or shoulder area, because there the spine arched outwards and thus is stable against pressure. However, reactive jumps are to be avoided there as well. Especially inexperienced flyers tend reaching quickly the ground in the […]
When knot handstand one hand is further up and higher than the other! This results in an asymmetrical figure for the flyer (tends to be in the direction of screwed Einarmer), which affects up to the position of the feet. Important in partner acrobatics: – hands are on top of each other (watch out for your little fingers!) – the upper hand of the knot must not slip away – Both arms are stretched – the head is above the palm of the upper hand.
In principle, the headstand is placed on the forehead or at the front part of the skull (see also Base – Balance on the head). Of all the flyers known to me, however, the position with a long neck is preferred. For this purpose, the contact-point / pressure-point on the head is centered on the hairline. It is important that the cervical spine can hold a straight position… straight in the body, but diagonally in the room! The supported headstand can not stand straight in the room, as a residual pressure remains on the hands and thus the center of […]
For the balance of this position, the shoulder is significantly involved. The shoulder is a floating joint, i.e. she has no firm connection with the trunk skeleton. There are exactly 2 positions wherein the shoulder is fixed: 1) pull the arms all the way to the hips (until the collarbone is horizontal) or 2) pull your shoulders to your ears (until no finger fits between them). Both positions are not natural and require a lot of training! A ballet dancer trains for it daily for years. Amazingly, a good body control while standing is no guarantee for just as good […]
The flag is due to the pull-pressure balance a form of the libra. The flag in handstand tends very large shear forces to generate. therefore, it is for the base necessary to a very stable pressure point to offer. Unfortunately is not a base so stable as a pole … Since the pressure point is always below the pulling point, the 2 possible pressure points while the base is standing are the lower leg from the back or the thigh from the front. Thus the only possible pulling points left are the shoulder or the hand. Once the flyer gets […]
The Handstand (HS) offers each Flyer 2 challenges, namely the art of balance and the way to get in the handstand. While the balance is essential for the solo artist, for the partner acrobatics the way is often the bigger hurdle. For the balance through the base it is sufficient if the flyer can hold its shape as soon as it reaches the position. The solo artist has to balance by himself. Challenge number 1: The Art of Balance In contrast to the standing tricks, necessary corrections of the base during balancing the handstand are reaching very delayed or not […]